Montage

Many other things happened in Nicaragua but it’s late now and I am weary. I’m peering back at distant memories. The stories here have lagged some months and thousands of miles behind the present moment: a sweaty armchair on a veranda, the equatorial humidity of Brazil, a worried and trapped family right in the Coronavirus epicentre.

What we need now is a cinematic montage to wind up the Nicaragua chapter, a happy mashup of the highlights and magic moments of those last three weeks, set to a uplifting electro-pop soundtrack. Something with meaningless lyrics that would fit almost any situation. Empire of the Sun perhaps.

We are always running for the thrill of it, thrill of it
Always pushing up the hill, searching for the thrill of it

First is a soft-focus arrival shot in the city of Granada: A small taxi draws up, comically overloaded: surfboards tied to the roof with string, a boot which will not shut over a pile of luggage. The Nicholls spill out, hot and sweaty after a two hour drive without air-con and with many of their bags on their laps. The camera sweeps back to reveal the colonial majesty of the town square as they unload their belonging into Selina Hostel, a baroque villa dosshouse, all hipster graffiti and leafy inner courtyards.

Then we go aerial to take in the whole of this beautiful city, shining white and crumbling gently in the tropical heat. Pillared facades, walled gardens, old cathedrals, balustraded walkways, covered markets, tree-lined squares. Then higher still, a majestic sweeping shot: the backdrop of mountains and volcanos, the endless lake to the east.

There is a time-lapse sequence of the Nicholls attacking the city of Granada like Pac-Man chasing eggs around a maze. They traverse the streets from the port area to the mountain side, scuttle up the bell tower, disappear into no less than three museums. We see them marching back and forth, occasionally finding themselves in dangerous areas and doubling back again to safety. They stop to refuel – papaya smoothies, green tea, cinnamon buns.

A meal sequence next: breakfast plates of waffles dissolve into pittas loaded with falafels for lunch, tacos al pastor, quesadillas. Now they are cramming in burgers, cakes, more smoothies, then a steak restaurant! Chins glistening with grease, tomato stained shirts. Have these guys not eaten for a week? Fade to black, music swells.

On and on and on we are calling out, out again
Never looking down, I’m just in awe of what’s in front of me

Another comical taxi ride! We’re bumping through the countryside past huge smoking volcanos, Mombacho to the left, Massaya on the horizon. There are roadblocks. Money is demanded for no apparent reason. A new arrival – and where are we? Laguna de Apoyo! A cerulean crater-lake some 10km wide. As the camera pans slowly across, the otherworldly colours shimmer and we see prismatic light effects on the water that then blur into white. Casa Marimba comes into focus, a terracotta hostel nestled on the slopes of the lagoon amid wood-groved terraces full of hammocks and loveseats. The light is dappled through a venerable old tree in the courtyard (is it a ceiba?), the movement of monkeys and mot-mot birds brings the canopy alive.

There is a floating platform out on the lagoon and our heroes swim out there for a slapstick sequence of dives and bellyflops, near-drownings, kayaks borrowed, left untethered then lost in the fierce wind. There is laughter. There are tears. We see Will and Menna on a sunset run around the lake (way too cheesy – cut!).

A long walk around the lake and a montage of rainbow bird sightings: an oropendola de Montezuma, parakeets, trogons, an osprey, lots of motmots – the national bird of Nicaragua -, various types of large kingfisher. The music dips and we hear Arthur’s reedy little voice solemnly listing them out: Great collared! Amazonian! Rufous!

Now it’s changing all the time
Living in a rhythm where the minute’s working overtime

That taxi sequence again – a sped up two hour cross-country dash, ending in a dusty one-road fishing village that looks like it hasn’t seen any development since the forties. Suspicious locals peer out from dark doorways. The taxi pulls off the Nicholls look worried. But surprise! The bare walls of the Miramar surf hostel are unprepossessing from the street but look inside: there is a skate park, racks of surfboards, a yoga platform, sun decks, swimming pool, flags. Everything is made from local timber, palm fronds, bamboo. A perfect wave breaks on the reef just in front.

The place is run by some a crew of charismatic Brazilians and each is frozen for a moment on screen with their caption: Sergio, ‘the Comedian’; Rafael, ‘Spear-Fisher’; Leandro, ‘Skateboard Guru’; Eduardo, ‘the Philosopher’. We have a party shot – wives and children, beers, music, a wide circle of friends and acquaintances. There are no other actual guests in the camp, but the hosts are larger than life and the the Nicholls are pulled into their extended crew. We see shots of surfing, yoga, fishing, Arthur gutting a barracuda to make ceviche, Will surfing right into the rocks, wrecking his board and his feet. There is a birthday party, a boat expedition, a spear fishing trip. Ten days of sunshine and great waves.

Don’t stop, just keep going on
I’m your shoulder, lean upon
So come on, deliver from inside
All we got is tonight, that is right ’til first light

The final taxi sequence takes us into the sprawling urban grit of Managua. A grey filter is subtly introduced and it bleaches the colour out of the scene. The music winds down into the final repeated lines of the track. The Nicholls are holed up in a shady motel in the slum area of Managua – fussing and packing, discarding excess weight, piling up bags. The room is bare. A small fan rotates noisily in the corner. They will get up at 4am to catch their flight the next morning

And here the montage finally fades to black. There is long and arduous travel ahead, at the end of which the family will find themselves in Mexico. And that of course is a totally new episode.

Final refrain and credits:

We are always running for the thrill of it, thrill of it’s
Always pushing up the hill, searching for the thrill of it
On and on and on we are calling out, out again
Never looking down, I’m just in awe of what’s in front of me

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